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Three months later, The Offspring released what would become their biggest selling album, titled Smash. The album was initially released to little mainstream attention until its lead single ” Come Out and Play ” received airplay from the Los Angeles radio station KROQ-FM , helping to raise the band’s profile and eventually hitting number one on the Billboard rock charts for two weeks in the summer of Smash has continued to sell consistently well in the years since its release, setting an all-time record for most units sold by an independent label band at over 11 million records, [10] and having sold over six million copies in the U.

The Offspring toured extensively throughout and in support of Smash. By the end of the album’s supporting tour, The Offspring had started playing at larger venues such as theaters and arenas, as opposed to the clubs and smaller venues they were previously accustomed to.

Also in , the band decided to buy out the rights to their first album. Holland and Kriesel had created their own record label Nitro Records and started signing bands. One of their first releases was a re-release of the band’s debut album, The Offspring. Soon after, Nitro Records became solely Holland’s responsibility. Epitaph retained its rights to release the next album in Europe, while Columbia had it for all other territories. The band’s attorney, Peter Paterno, had issued a letter to Epitaph stating that the band had “substantial and fundamental reasons” for wanting to leave the label and that Epitaph had “breached its contract”.

The album was released on February 4, , which was also Noodles’ 34th birthday. This album was not as successful as Smash , although it did sell four million units and spawned five singles. The album saw the band move away from the political-punk themes common to many Epitaph bands, and more into mainstream rock with songs like ” Gone Away ” and ” I Choose “.

The video for the last track was directed by Holland himself. Dexter commented that Ixnay was probably not as well-received as Smash because it was such a departure, and that many fans probably were expecting Smash Part Two.

In the Offspring released Americana. The former song topped the charts in nine countries, including Australia, Japan, Norway and the United Kingdom. In , the band appeared as themselves in the film Idle Hands. They played a cover version of ” I Wanna Be Sedated ” originally by the Ramones and “Beheaded” at a school dance before Holland’s character is killed. They also appeared at the infamous Woodstock , where their performance was broadcast live on pay-per-view television.

The band intended to release the entire album online through their official website, to show their support for downloading music on the internet. The band also released a single ” Defy You ” exclusively for the film Orange County. Longtime drummer Ron Welty left the group in to play in Steady Ground , [38] [39] a band in which he played drums and co-produced they broke up in Neither Welty nor the remaining members have elaborated on the departure.

It was later revealed that Welty was fired by Holland and Noodles “without any prior notice”. He filed a lawsuit against the band in September for unpaid royalties. In , the band released their seventh album Splinter. The Offspring recruited Josh Freese to record the drums for Splinter and later announced that ex- Rocket from the Crypt drummer Atom Willard would be the official replacement for Ron Welty. Greatest Hits contains 14 of the band’s hits between Smash and Splinter , and two previously unreleased songs, ” Can’t Repeat ” and ” Next to You ” a cover of the Police available as a hidden track.

The compilation does not include any songs from the band’s first two albums. The DualDisc contains video of Dexter and Noodles discussing the band’s history and a bonus acoustic version of the song “Dirty Magic”. About a month later, the band released a video DVD with all of their music videos, and some videos from a live show. During the summer of , the band played the Vans Warped Tour for the first time, and followed that with a tour of Europe and Japan.

After the “Greatest Hits” world tour the band took a break from writing, recording and touring. In November , it was reported that The Offspring were back in the studio recording their eighth studio album, Rise and Fall, Rage and Grace with producer Bob Rock and “a fistful of demos”.

In July , Dexter announced that the band had finished two more songs and the album was being recorded in Orange County, California. It was announced on July 27, , that former Saves the Day drummer Pete Parada had been chosen to be the Offspring’s new drummer, replacing Atom Willard, who went on to join Angels and Airwaves.

The band’s first shows with Parada were at the Summer Sonic festival in Japan in August of the same year. Parada did not play on the new album however; Josh Freese once again handled drum duties, as he did with Splinter. It was also the Offspring’s only RIAA Gold song, proving it to be one of the most successful singles the band had released in their over-twenty-year career. Also in April , Epitaph Records announced that the label would be reissuing Ignition and Smash ; both albums were remastered, and Smash contained a new page booklet.

The re-issues were released on the same day as Rise and Fall, Rage and Grace , coinciding with the new album’s release. The supporting tour for the album began on May 16 with a performance at the X-Fest festival in California. Kriesel returned in mid-June. In an interview at the Almost Acoustic Christmas show, guitarist Noodles stated that the Offspring would be taking a break for a month or two and promised a US tour to kick off in In May , the band started doing preliminary work with Bob Rock in Hawaii for what would be the ninth Offspring album.

They recorded sporadically through the next year. In June the Offspring headlined two dates in Western Canada. The date tour was held in amphitheaters around the U. After the tour, the band started recording in earnest and it was later announced that the album was in the mixing stage.

In March , the band announced on their Twitter page that the album was finished. On June 20, , it was reported that the Offspring was working on a live album with engineer Ian Charbonneau. Instead of a standard release, the live album which was recorded in Warsaw, Poland at the Orange Warsaw Festival held at Narodowy Stadium would have had been released online but to date has not come to fruition.

The Offspring spent the summer of on tour commemorating the 20th anniversary of their third album Smash. The Offspring reclaimed the rights to their Columbia Records albums in Bassist Greg K. He also stated that the band was in no hurry to finish it.

On December 13, , The Offspring posted Twitter and Instagram photos of their December calendar, with the second and third week of the month labeled “studio”, and wrote, “Who’s ready for new music in ?

We were in the studio all this week. We finished up for the holidays on Tuesday, Wednesday, and then we’re gonna get back in the studio as soon as the new year [rolls around], in January. He stated: “We have a whole record or more worth of stuff here — I think we’re looking at making two records out of it — you know, like, splitting ’em up and coming out with a pretty straightforward punk and rock record that sounds like us, and then maybe saving some of the crazier stuff for another record.

We don’t know what we’re going to do with that. On February 23, , Noodles confirmed on his Instagram account that the new Offspring album is finished. He wrote, “The album is done. Working on getting it to the fans now. Stay tuned! Noodles reiterated that the new Offspring album was ready for release in and they are in the process of searching for a new record label to release it.

On September 10, , former drummer Ron Welty filed a lawsuit against the band for unpaid royalties. A physical version of this song was released as a 7-inch vinyl single on December 11, , and a description at the band’s online store stated that “the single is also the tip of the iceberg for new music coming from the acclaimed group in early “. On November 13, , the band uploaded a lyric video for their song “Huck It!

On February 8, , Dexter and Noodles posted a video confirming that the album was finished with an official release date and single announcement coming soon. He explained this was under the advice of his doctor due to his medical history and with his having been previously infected.

The Offspring has been labeled under multiple genres, such as punk rock , [] [] hardcore punk , [] melodic hardcore , [] pop punk , [] [] [] skate punk , [] [] [] [] and alternative rock. The lyrics generally reflect a sarcastic viewpoint, which, along with the language, can be offensive to some. This is acknowledged in the opening track from their album Ixnay on the Hombre , “Disclaimer”, which is sarcastic itself.

Like “Disclaimer”, the first track of most of the Offspring’s albums are an introduction of some sort; “Time to Relax” from Smash , “Welcome” from Americana , “Intro” from Conspiracy of One , and “Neocon” from Splinter are also examples of this. With the mainstream success of Smash , going six times multi-platinum and earning worldwide airplay, the Offspring’s impact persists to this day. As one of the most popular punk bands of the s, they are credited with reviving popular interest in punk rock and bringing the genre back into the mainstream, [] and have influenced younger artists such as Avril Lavigne and Simple Plan.

In the Close Enough episode “The Weird Kid”, a subplot concerned a character accidentally wishing to become obsessed with The Offspring; various references to their work can be heard throughout []. From September 20 to October 7, , the band performed a virtual concert in World of Tanks , with a limited-edition tank. The tank has instruments and skateboards stacked on top of its hull, “Pretty fly” painted on the side armour, and band members acting as the crew.

From Wikipedia, the free encyclopedia. American punk rock band. For other uses, see Offspring disambiguation. The Offspring performing in Pictured: Greg K. Punk rock skate punk pop punk alternative rock melodic hardcore hardcore punk. Current members Dexter Holland — lead vocals —present , rhythm guitar, occasional lead guitar, occasional piano [] keyboards and synthesizers —present , lead guitar — , bass — Noodles — lead guitar, backing vocals —present Todd Morse — bass —present , backing vocals —present ; rhythm guitar touring musician — Current touring musicians Jonah Nimoy — rhythm guitar, keyboards, percussion, backing vocals —present; summer tour substitute for Noodles Josh Freese — drums, percussion —present Touring guests Ronnie King — keyboards, percussion — Warren Fitzgerald — rhythm guitar, backing vocals Andrew Freeman — rhythm guitar, backing vocals Tony Kanal — bass —; touring guest following Greg K.

Main articles: The Offspring discography and List of songs recorded by the Offspring. May 5, Archived from the original on May 19, Retrieved July 15, Retrieved April 1, After 35 years of being in a band that I co founded I was kicked out…” Tweet — via Twitter. Archived from the original on August 31, Retrieved August 31, He alleges that Holland and Wasserman “devised a scheme, and entered into a conspiracy with each other” in October [ sic ] to “seize the business, business opportunities, and assets” of their year-old partnership agreement “in disregard for and in derogation of the rights, privileges, and authority of Kriesel as an equal, general partner” [ Retrieved July 26, Milk It!

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Detailed photos available on request. One of the major events in development was when the real-time graphics were synchronized to computer-generated full motion video FMV cutscenes for some story sequences, including an early sequence where a real-time model of Cloud jumps onto an FMV-rendered moving train. While this was not a new technique, the increased power of the PlayStation enabled a more elaborate version of this effect. The team needed to figure out how to shrink the amount of data while preserving the desired effects.

This was aided with reluctant help from Sony, who had hoped to keep Square’s direct involvement limited to a standard API package, but they eventually relented and allowed the team direct access to the hardware specifications.

As this would have further increased the number of discs the game needed, the idea was discarded. This innovation brought with it the added difficulty of ensuring that the inferiority of the in-game graphics in comparison to the FMV sequences was not too obvious. Kitase has described the process of making the in-game environments as detailed as possible to be “a daunting task”. The musical score of Final Fantasy VII was composed, arranged, and produced by Nobuo Uematsu , who had served as the sole composer for the six previous Final Fantasy games.

Originally, Uematsu had planned to use CD quality music with vocal performances to take advantage of the console’s audio capabilities but found that it resulted in the game having much longer loading times for each area.

Uematsu then decided that the higher quality audio was not worth the trade-off with performance, and opted instead to use MIDI -like sounds produced by the console’s internal sound sequencer , similar to how his soundtracks for the previous games in the series on the Super NES were implemented.

Eight are reserved for sound effects, leaving sixteen available for the music. As an example, he composed the track intended for the scene in the game where Aerith Gainsborough is killed to be “sad but beautiful”, rather than more overtly emotional, creating a more understated feeling. The first piece that Uematsu composed for the game was the opening theme; game director Yoshinori Kitase showed him the opening cinematic and asked him to begin the project there. The track was well received in the company, which gave Uematsu “a sense that it was going to be a really good project”.

Final Fantasy VII was the first game in the series to include a track with high-quality digitized vocals, “One-Winged Angel”, which accompanies a section of the final battle of the game. The track has been called Uematsu’s “most recognizable contribution” to the music of the Final Fantasy series, which Uematsu agrees with.

Music from the game has been released in several albums. A limited edition release was also produced, containing illustrated liner notes. While its success in Japan had been taken for granted by Square executives, North America and Europe were another matter, as up to that time role-playing games were still a niche market in Western territories. Sony, due to the PlayStation’s struggles against Nintendo and Sega’s home consoles, lobbied for the publishing rights in North America and Europe following Final Fantasy VII ‘ s transfer to PlayStation—to further persuade Square, Sony offered a lucrative royalties deal with profits potentially equaling those Square would get by self-publishing the game.

Square accepted Sony’s offer as Square itself lacked Western publishing experience. To help with promoting the game overseas, Square dissolved their original Washington offices and hired new staff for fresh offices in Costa Mesa.

To promote the game overseas, Square and Sony launched a widespread three-month advertising campaign in August Square developed a PC port, to maximize the player base.

Many Western consumers did not own a PlayStation, and Square’s deal with Sony did not prohibit such a port. Having never released a PC game, Square treated it as a sales experiment. The port was handled by a team of 15 to 20 people, mostly from Costa Mesa and with help from Tokyo, [37] after the console version was finished.

Consequently, programmers faced problems such as having to unify the original PlayStation version’s five different game engines, leading to delays. The conversion of the nearly original musical pieces to XG format files was done by Yamaha. To maximize chances of success, Square searched for a Western company to assist with releasing the PC version. Eidos Interactive , whose release of Tomb Raider had turned it into a publishing giant, agreed to market and publish the port.

The English localization, led by Seth Luisi, was completed by a team of about fifty people who faced a variety of problems. According to Luisi, the biggest hurdle was making “the direct Japanese-to-English text translation read correctly in English. The sentence structure and grammar rules for the Japanese language is very different from English”, making it difficult for the translation to read like native English without distorting the meaning.

The localization was taxing for the team due to their inexperience, lack of professional editors, and poor communication between the North American and Japanese offices. A result of this disconnect was the original localization of Aerith’s name—which was intended as a conflation of “air” and “earth”—as “Aeris” due to a lack of communication between localization staff and the quality assurance team.

The team also faced several technical issues due to programming practices which took little account of subsequent localization, such as dealing with a fixed-width font and having to insert kanji through language input keys to add special characters for example, vowels with diacritics to keep the code working.

Consequently, the text was still read as Japanese by the word processor, so the computer’s spellcheck could not be used, and mistakes had to be caught manually. The code used obscure kanji to refer to main character’s names, which made unintuitive for the translators to identify characters. To mitigate this problem, a proportional typeface was implemented into the source code to fit more text into the screen.

For the PC port, Square attempted to fix translation and grammar mistakes for the North American and European versions but did not have the time and budget to retranslate all the text. Some months prior to the game’s North American release, Sony publicly stated that it was considering cutting the scene at the Honey Bee Inn due to the salacious content, prompting numerous online petitions and letters of protest from RPG fans.

Square subsequently stated that it would never allow Sony to localize the game in any way. It would later be released via Steam on July 4, , [] [] replacing the version available on Square Enix’s North American and European online stores. It has features unavailable in the western version including high-speed mode, no random encounters mode, and a max stats command. DotEmu developed the PS4 version. It was referred to by GameFan as “quite possibly the greatest game ever made”, [] [] a quote selected for the back cover of the game’s jewel case.

GameSpot commented that “never before have technology, playability, and narrative combined as well as in Final Fantasy VII “, expressing particular favor toward the game’s graphics, audio, and story. They also considered the North American localization a dramatic improvement over the original Japanese version.

The game’s visuals and use of FMV cutscenes were lauded by critics. IGN ‘ s Jay Boor insisted the game’s graphics were “light years beyond anything ever seen on the PlayStation”, and regarded its battle system as its strongest point. In Computer and Video Games magazine, Paul Davies said the “thrilling” and “magnificent plot” would “rock your emotions” and “revolutionise your belief of what a video game can achieve” [] while Alex C praised the dramatic story and well-developed characters.

Edge noted that Final Fantasy VII had come close to being an interactive movie in playable form, praising its combination of a complex story that went against Western graphic adventure trends and “excellently orchestrated chip music”.

Digitiser praised the size of the game world, calling it the “largest video game” of all time, while considering the game “Perfect in almost every respect. Final Fantasy VII has also received some negative criticism. OPM and GameSpot questioned the game’s linear progression.

Reviewers gave similar praise to the PC version but criticized its various technical faults. In the months leading up to the game’s release, the game had a high level of anticipation.

In North America, it was the most anticipated game at the time, [] with its popularity inspiring thousands of retailers to break street dates in September to meet public demand for the game. Worldwide, it was the best-selling video game of Final Fantasy VII has often placed at or near the top of many reader polls of all-time best games. In , it placed 9th in EGM ‘ s readers’ top 10 games of all time, which the publication noted was startling because the game had not been released in the United States where EGM was published at the time of voting.

It has also appeared in numerous other greatest game lists. The character Shinra from Final Fantasy X-2 proposes the concept of extracting the life energy from within the planet Spira. Later games that would be re-released as international versions include Final Fantasy X and other follow-ups from the franchise, [] [] [] as well as the Kingdom Hearts series. The game is credited with allowing console role-playing games to gain mass-market appeal outside of Japan.

The game’s storytelling was considered revelatory for its time and resonated with most of its audience. He compared these efforts to the letter-writing campaign to convince Charles Dickens not to let Nell, the endearing protagonist of The Old Curiosity Shop , die at the end of the book.

Taylor affirmed that the acts of discussing these fan theories and dissecting the game code to test them comprise a valid and important part of the experience of the game. The game has inspired numerous developers. Patrick Holleman and Jeremy Parish argue that the game takes the unreliable narrator concept a step further, with its interactivity establishing a connection between the player and the protagonist Cloud, setting Final Fantasy VII apart from films as well as other video games.

He explains that it is “a story about characters who have outlived the people, places, and things that gave them their identities” and that most of the characters are “motivated by the loss of something that once defined who they are”.

He considers Barret’s story to be the clearest illustration of the “tragic survivorship” and “survivor’s trio” themes, such as the loss of his coal mining hometown, seeking revenge through militant environmentalism before eventually realizing revenge isn’t the right motivation, and safeguarding a future for his adoptive daughter Marlene who is the only surviving connection to his past.

He also considers the Limit Break mechanic to be a gameplay representation of the survivorship theme. He argues that these are themes which only adults can fully relate to, and were misunderstood by much of the game’s predominantly adolescent audience upon release. During the game’s initial marketing campaign in early , numerous merchandise related to Final Fantasy VII were produced in Japan.

There were various different types of toys produced, including novelty egg dispensers, pin badges, action figures, video game music CDs, and guide books. Releases not under the Compilation label include Maiden Who Travels the Planet , which follows Aerith’s journey in the Lifestream after her death, taking place concurrently with the second half of the original game. Final Fantasy VII Snowboarding is a mobile port of the snowboard minigame featured in the original game, [] featuring different courses for the player to tackle.

Blahuta, Michel S. This eBook is a philosophical guide as to why and how players use certain characters in the Final Fantasy series, explains how gamer’s perception of a character’s weapon and clothing designs can change how they use them. The writers inform the reader that this eBook will give them an in-depth understanding of themselves and the game which will enhance their gaming experience.

This conjecture was sparked by the release of a video featuring the opening sequence of Final Fantasy VII recreated using the PlayStation 3’s graphical capabilities at E3 The game saw changes made to its story and combat system. From Wikipedia, the free encyclopedia. This article is about the video game. North American cover art, featuring the protagonist, Cloud Strife. Yusuke Naora Tetsuya Nomura. January 31, JP : October 2, WW : August 19, WW : December 5, WW : July 7, WW : March 26, See also: Recurring elements in the Final Fantasy series Gameplay.

The track uses high-quality digitized voices, a first for the series. Problems playing this file? See media help. See also: Localization of Square Enix video games. CBS Interactive. Archived from the original on October 21, Retrieved January 21, Rovi Corporation. Archived from the original on November 14, Retrieved September 7, Sony Computer Entertainment. News Corporation. Archived from the original on May 16, Retrieved July 16, January 1, Archived from the original on May 30, Electronic Gaming Monthly.

Ziff Davis. April Archived from the original on July 3, Retrieved December 16, Archived from the original on March 11, Retrieved September 14, Square Enix.

ISBN Official U. PlayStation Magazine. August Dengeki PlayStation in Japanese. February 14, PlayStation: The Official Magazine. SCE America. After that, the Space Program was cut back and the launch was canceled.

Ifalna: A small number of the surviving Cetra defeated Jenova, and confined it. May 10, Aerith: You okay? This is a church in the Sector 5 slums.

You really gave me quite a scare. I came crashing down? You’re lucky. Aerith: Say, Cloud. Have you ever been a bodyguard? You DO do everything, right? And they’re really going to crush them By breaking the support holding up the plate above them. Cloud: Why is Shinra after Aerith? The sole survivor. President Shinra: She’s the last surviving Ancient Don’t you know?

They called themselves the Cetra and lived thousands of years ago. Now they are just a forgotten page in history. That girl, is she a survivor of the Cetra?

Isn’t that just a legend? It’s been said the Promised Land is very fertile. If the land is fertile That is why our money-sucking Mako Reactor is a necessity. The abundant Mako will just come out on its own. Did it get away? Looks like it went to the upper floor using that elevator for the specimens.

Aerith: How do you intend to become one with the Planet? Once the Planet is hurt, it gathers Spirit Energy to heal the injury.

The amount of energy gathered depends on the size of the injury. What would happen if there was an injury that threatened the very life of the Planet? Think how much energy would be gathered!

Ha ha ha! And at the center of that injury, will be me. All that boundless energy will be mine. By merging with all the energy of the Planet, I will become a new life form, a new existence. Melding with the Planet I will cease to exist as I am now. Only to be reborn as a “god” to rule over every soul. The Ultimate Destructive Magic Cloud: Sephiroth! I know you’re listening! I know what you want to say! That I wasn’t in Nibelheim five years ago. That’s it, isn’t it? I want to take you back to your real self.

The one who gave me the Black Materia that day Who would have ever thought a failed experiment would prove so useful? Hojo would die if he knew. What does he have to do with me!? A puppet made up of vibrant Jenova cells, her knowledge, and the power of Mako. I was so ashamed of being so weak; then I heard this story from my friend Zack And I created an illusion of myself made up of what I had seen in my life And I continued to play the charade as if it were true.

Vox Media. Archived from the original on January 9, Retrieved January 11, Future plc. May Archived from the original on May 9, Computer and Video Games. Archived from the original on September 23, Retrieved January 13, Reset Media. Final Fantasy VII”. October The Washington Post.

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February Retrieved November 15, Archived from the original on March 3, Retrieved February 21, Archived from the original on May 12, Retrieved May 10, Game Informer. Archived from the original on April 29, Retrieved May 14, June 4, Archived from the original on March 28, Retrieved December 9, GameTrailers Video. August 13, Archived from the original on July 9, Retrieved January 14, — via YouTube. Archived from the original on October 17, Retrieved September 6, June 25, Archived from the original on October 15, Retrieved October 16, December Archived from the original on January 18, Retrieved January 12, Mainichi Communications.

May 18, July 31, Archived from the original on March 13, Imagine Media. Our Millennial Fair. Procyon Studio. Archived from the original on June 12, Retrieved December 29, Archived from the original on March 17, Archived from the original on October 11, Retrieved December 6, — via Twitch.

Square in Japanese. Archived from the original on June 3, Retrieved March 25, Archived from the original on January 28, Archived from the original on January 16, Retrieved July 28, July 8, Archived from the original on September 30, Retrieved August 5, Archived from the original on July 16,

 

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